https://dough-studio.net/header 2026-08-06T06:18:35+00:00 always 0.5 https://dough-studio.net 2026-08-06T06:53:21+00:00 always 0.5 https://dough-studio.net/research 2026-08-06T08:37:34+00:00 always 0.5 https://freight.cargo.site/t/original/i/A2793523315616220535069639901479/horizontal-3.png Li, M.T., (2026) ‘Epistemology of a glass closet: Anson Lo’s queer stardom and the politics of ambiguity in the post-ELAB Hong Kong,’ in Joanna McIntyre and Anthea Taylor ed., The Routledge Companion to Gender and Celebrity. pp 313-327. Link to the book: <a href="https://www.routledge.com/The-Routledge-Companion-to-Gender-and-Celebrity/McIntyre-Taylor/p/book/9781032269313" target="_blank">https://www.routledge.com/The-Routledge-Companion-to-Gender-and-Celebrity/McIntyre-Taylor/p/book/9781032269313</a> Photo couresy of Routledge https://freight.cargo.site/t/original/i/C3070093868350480374919212881409/Screenshot-2026-08-06-at-14.35.04.png Li, M. T., (2025) ‘It almost feels like home: The cinematic articulation of community resilience in post-2019 Hong Kong melodrama’, Journal of Chinese Cinemas, [Online]. doi: 10.1080/17508061.2025.2571371. https://freight.cargo.site/t/original/i/Q3070097382602800369178472142337/A1sKwKCZryL._UF1000-1000_QL80_.jpg Li, M.T., (2023) ‘The Erotic, the Avant-garde, and the Anarchist Arts: The Radical Politics Imagination and Literary Representation in The 70s Bi-weekly,’ in Pan Lu ed., Alternative Anti-Establishment: The 70s Bi-weekly and Youth Activism in Hong Kong, Hong Kong: HKU Press Link to the book: <a href="https://hkupress.hku.hk/The_70's_Biweekly" target="_blank">https://hkupress.hku.hk/The_70's_Biweekly</a> Photo courtesy of HKU Press https://freight.cargo.site/t/original/i/G3070102095081828415315366172161/Screenshot-2026-08-06-at-14.42.19.png Li, M.T., (2026) ‘Epistemology of a glass closet: Anson Lo’s queer stardom and the politics of ambiguity in the post-ELAB Hong Kong,’ in Joanna McIntyre and Anthea Taylor ed., The Routledge Companion to Gender and Celebrity. pp 313-327. Link to the book: <a href="https://www.routledge.com/The-Routledge-Companion-to-Gender-and-Celebrity/McIntyre-Taylor/p/book/9781032269313" target="_blank">https://www.routledge.com/The-Routledge-Companion-to-Gender-and-Celebrity/McIntyre-Taylor/p/book/9781032269313</a> Photo couresy of Routledge https://freight.cargo.site/t/original/i/E3070104802049287511823518062081/784209.jpg 李薇婷 (2018) 〈尋找「香港」的聲音——淺談《小說卷》的一種讀法〉，陳國球編：《重遇香港文學》，香港：商務印書館，頁250-261. Photo courtesy of The Commercial Press https://freight.cargo.site/t/original/i/B3070104802030840767749808510465/608497.jpg 李薇婷(2016) 〈回憶裏的此處、那處、彼處──從本雅明「回憶」概念論《烈佬傳》的歷史書寫〉，第五屆紅樓夢獎評論集：黃碧雲《烈佬傳》，香港：香港浸會大學，頁96-110. Photo courtesy of Hong Kong Baptist Univerisity https://dough-studio.net/writings 2026-08-06T08:37:33+00:00 always 0.5 https://freight.cargo.site/t/original/i/A2793523315616220535069639901479/horizontal-3.png Li Mei Ting (2026) ‘Paul B. Preciado In Conversation with Virginia Woolf: Building a Trans Archive via Orlando, My Political Biography’ [對話吳爾芙：保羅柏斯雅度的跨性別檔案《奧蘭度：我的政治傳記》] Harmony Yuen trans., Critics’ Choice 2026, The Hong Kong Film Critic Society <a href="https://www.filmcritics.org.hk/zh-hant/node/3659" target="_blank">Read online: <a href="https://www.filmcritics.org.hk/zh-hant/node/3672" target="_blank">https://www.filmcritics.org.hk/zh-hant/node/3672</a></a> Photo courtesy of Orlando, My Political Biography https://freight.cargo.site/t/original/i/C3070028994121498934293417219585/Untitled_1.3.2_S.jpg Li Mei Ting (2026) ‘Rewriting Proust: Chantal Akerman’s Radical Adaptation of The Captive’ [重寫普魯斯特：桑堤艾格曼《愛的俘虜》的改編策略 ] Harmony Yuen trans., Critics’ Choice 2026, The Hong Kong Film Critic Society <a href="https://www.filmcritics.org.hk/zh-hant/node/3659" target="_blank">Read online: https://www.filmcritics.org.hk/zh-hant/node/3659</a> Photo courtesy of CINEMATEK © Chantal Akerman Foundation https://freight.cargo.site/t/original/i/Q3070033793927413425371328599553/Main_Ruben-Rizza-garder-DP-RT-1_S.jpg Li Mei Ting (2026) ‘Paul B. Preciado In Conversation with Virginia Woolf: Building a Trans Archive via Orlando, My Political Biography’ [對話吳爾芙：保羅柏斯雅度的跨性別檔案《奧蘭度：我的政治傳記》] Harmony Yuen trans., Critics’ Choice 2026, The Hong Kong Film Critic Society <a href="https://www.filmcritics.org.hk/zh-hant/node/3659" target="_blank">Read online: <a href="https://www.filmcritics.org.hk/zh-hant/node/3672" target="_blank">https://www.filmcritics.org.hk/zh-hant/node/3672</a></a> Photo courtesy of Orlando, My Political Biography https://freight.cargo.site/t/original/i/W3070036976765529391364783527425/IMG_0694.jpeg Li Mei Ting (2026) ‘Queering Hong Kong cinema: Representation, production and reception’ [酷異香港電影：後殖民再現史、邊緣生產與酷異接收] HKinema 68 & 69, The Hong Kong Film Critic Society <a href="https://www.filmcritics.org.hk/zh-hant/node/3659" target="_blank">Read online: https://www.filmcritics.org.hk/zh-hant/node/3657</a> https://freight.cargo.site/t/original/i/P3070043942348325344460021487105/2023bookcover.jpg Li Mei Ting (2024). 酷兒化的家庭倫理－《富都青年》與《關於我和鬼變成家人的那件事》的擬親關係 [Queer Family Kinship in Chinese Cinema: the Fictive Kinship in Marry My Dead Body and Abang Adik], Hong Kong Cinema 2023: In Search of Light 香港電影2023：覓路尋光, Hong Kong: Hong Kong Film Critics Society, pp. 270-274. Photo courtesy of The Hong Kong Critic Society https://freight.cargo.site/t/original/i/Q3070043942403665576681150141953/hkfilm2024-251025-1-2.jpg Li Mei Ting (2025) 從華語通俗劇脈絡評《從今以後》：家庭、階級、後殖民香港的同志 [Family, Class and Postcolonial Tongzhi: All Shall Be Well and Hong Kong Melodrama], Hong Kong Cinema 2024: Between Trauma and Reconciliation香港電影2024：癒創之間, Hong Kong: Hong Kong Film Critics Society. pp183-188. Photo courtesy of The Hong Kong Film Critic Society https://freight.cargo.site/t/original/i/U3070044770330433092913245771265/8afd714c8811f93c0fc730bea26facc7.png Li Mei Ting (2019) 曖昧中角力－香港同志文學一瞥[Naviging ambigurity: A glance at Hong Kong Tongzhi literature] form無形, The House of Hong Kong Literature Read Online: <a href="https://p-articles.com/critics/1141.html" target="_blank">https://p-articles.com/critics/1141.html</a> Photo courtesy of P-articles 虛詞 https://freight.cargo.site/t/original/i/S3070060316748276325333189842433/ad9156fb07ea132592a9c66426511c47.jpg 李薇婷 (2019) 檔案、情感與群眾︰《盧麒之死》的文字與色彩鑲嵌術, P-articles虛詞. Read online: <a href="https://p-articles.com/critics/12.html" target="_blank">https://p-articles.com/critics/12.html</a> Photo credit: my own collection, all rights reserved. https://freight.cargo.site/t/original/i/F3070067949992527282271938991617/Screenshot-2026-08-06-at-14.10.47.png 李薇婷 (2020) 他進入夢的狀態反抗自己──謝曉虹《鷹頭貓與音樂箱女孩》, Paratext微批. <a href="https://paratext.hk/?p=2081" target="_blank">Read Online: https://paratext.hk/?p=2081</a> Photo courtesy of Paratext 微批 https://freight.cargo.site/t/original/i/Y3070067950029420770419358094849/Screenshot-2026-08-06-at-14.11.05.png <a href="https://paratext.hk/?p=2081" target="_blank">李薇婷 (2019) 非虛構文學初論，兼談《盧麒之死》與情感歷史, Paratext 微批. Read Online: https://paratext.hk/?p=2081</a> Photo courtesy of Paratext 微批 https://freight.cargo.site/t/original/i/D3070073926608479955650695714305/Screenshot-2026-08-06-at-14.16.50.png <a href="https://paratext.hk/?p=2081" target="_blank">李薇婷 (2018) 歷史沒有教會我們甚麼：淺談黃碧雲《盧麒之死》, Paratext 微批. </a> Read Online: <a href="https://paratext.hk/?p=837" target="_blank">https://paratext.hk/?p=837</a> Photo courtesy of Paratext 微批 https://freight.cargo.site/t/original/i/S3070083083830492562104051619329/Screenshot-2026-08-06-at-14.25.07.png <a href="https://paratext.hk/?p=2081" target="_blank">李薇婷 (2023) 《日麗的酷兒性》, MOViE MOViE Magazine. </a>Read Online: <a href="https://bit.ly/MMMagazine59" target="_blank">https://bit.ly/MMMagazine59</a> Photo courtesy of MOViE MOViE Magazine https://freight.cargo.site/t/original/i/Y3070086818834998886445515068929/Screenshot-2026-08-06-at-14.28.19.png <a href="https://paratext.hk/?p=2081" target="_blank">李薇婷 (2025) 《同夢奇緣之夢》中的女性情欲思辯, MOViE MOViE Magazine. </a>Read Online: <a href="https://issuu.com/moviemoviebybc/docs/movie_movie_magazine_72_-_emo" target="_blank">https://issuu.com/moviemoviebybc/docs/movie_movie_magazine_72_-_emo</a> Photo courtesy of MOViE MOViE Magazine https://dough-studio.net/projects-1 2026-08-06T08:37:33+00:00 always 0.5 https://freight.cargo.site/t/original/i/A2793523315616220535069639901479/horizontal-3.png HKinema #68 Publisher: Hong Kong Film Critic Society Editor-in-Chef <a href="https://bit.ly/4wZlZtH">Digital version: https://bit.ly/4wZlZtH</a> Cover design credits: Lui Lui @marchingdinosaurs https://freight.cargo.site/t/original/i/I3069980364298262987109579675137/IMG_0736.PNG HKinema #69 Phblisher: Hong Kong Film Critic Society Editor-in-Chef Digital version: <a href="https://bit.ly/4bhNBlE" target="_blank">https://bit.ly/4bhNBlE</a> Cover design credits: Lui Lui @marchingdinosaurs https://freight.cargo.site/t/original/i/M3069981248708960857040322352641/IMG_0737.PNG HKinema #68 Publisher: Hong Kong Film Critic Society Editor-in-Chef <a href="https://bit.ly/4wZlZtH">Digital version: https://bit.ly/4wZlZtH</a> Cover design credits: Lui Lui @marchingdinosaurs https://freight.cargo.site/t/original/i/D3069986728314287952462629885441/IMG_8934.JPG Queer Room Pop-up bookstore and inclusive space Major Pop Art, 54 Sai Street, Sheung Wan Curator, in collaboration with Taboocha https://freight.cargo.site/t/original/i/U3069994848939964080881442280961/HKFCS-website-thumbnails.jpg Critics’ Choice 2026: Transfiguration: From Novel to Film Film screening programme Curator, in collaboration with Hong Kong Film Critic Society, Hong Kong Film Archive and Emperor Cinemas iSQUARE Photo courtesy of Hong Kong Film Critic Society https://freight.cargo.site/t/original/i/R3070005018869779589915472352769/59602810.jpg Writing in Difficult Times: A Bilingual Essay Anthology 困頓之書：雙語文集 Editor Order: <a href="https://cup.cuhk.edu.hk/WritinginDifficultTimes" target="_blank">https://cup.cuhk.edu.hk/WritinginDifficultTimes</a> Photo courtesy of Cart Noodles Press https://dough-studio.net/media-coverage 2026-08-06T06:18:36+00:00 always 0.5 https://freight.cargo.site/t/original/i/A2793523315616220535069639901479/horizontal-3.png Ashley Shannon Wu, ‘Barbie Hsu, Taiwanese Actress and Star of ‘Meteor Garden,’ Dies at 48’ The New York Times, 14 Feb 2025, <a href="https://www.nytimes.com/2025/02/14/world/asia/barbie-hsu-dead.html" target="_blank">https://www.nytimes.com/2025/02/14/world/asia/barbie-hsu-dead.html</a> Photo courtesy of The New York Times https://freight.cargo.site/t/original/i/D3070008963816680217145342744065/4ec15891-f49a-4bf2-80e2-d677f5a33567_4cba3c5b.jpg Kylie Knott, ‘Hong Kong pop-up Queer Room offers ‘alternative individuals’ a place to connect,‘ South China Morning Post, 20 Nov 2025, <a href="https://www.scmp.com/lifestyle/family-relationships/article/3333933/hong-kong-pop-queer-room-offers-alternative-individuals-place-connect" target="_blank">https://www.scmp.com/lifestyle/family-relationships/article/3333933/hong-kong-pop-queer-room-offers-alternative-individuals-place-connect</a> Photo courtesy of South China Morning Post https://freight.cargo.site/t/original/i/W3070013305866640519120730772993/Screenshot-2026-08-06-at-13.22.11.png Ashley Shannon Wu, ‘Barbie Hsu, Taiwanese Actress and Star of ‘Meteor Garden,’ Dies at 48’ The New York Times, 14 Feb 2025, <a href="https://www.nytimes.com/2025/02/14/world/asia/barbie-hsu-dead.html" target="_blank">https://www.nytimes.com/2025/02/14/world/asia/barbie-hsu-dead.html</a> Photo courtesy of The New York Times https://freight.cargo.site/t/original/i/K3070016772858402196536118793729/Screenshot-2026-08-06-at-13.25.09.png Grace Tsoi and Joyce Lee, “Queen Elizabeth II: Hong Kong's grief sends message to Beijing,” BBC News (China), <a href="https://www.bbc.com/news/world-asia-china-62898660" target="_blank">15 Sep 2022, https://www.bbc.com/news/world-asia-china-62898660</a> Photo courtesy of BBC News, Hong Kong https://freight.cargo.site/t/original/i/D3070019466802459977005327242753/8b6997c6-8f24-475c-aa6e-397bbc1f3975_93a27f54.jpeg Edith Lin and Jess Ma, ‘Mirror, Mirror on the wall, can Hong Kong boy band beat the blues and win back disappointed fans?,’ South Morning China Post, 19 Feb 2023, <a href="https://www.scmp.com/news/hong-kong/society/article/3210729/mirror-mirror-wall-can-hong-kong-boy-band-beat-blues-and-win-back-disappointed-fans" target="_blank">https://www.scmp.com/news/hong-kong/society/article/3210729/mirror-mirror-wall-can-hong-kong-boy-band-beat-blues-and-win-back-disappointed-fans</a> Photo courtesy of South China Morning Post https://freight.cargo.site/t/original/i/S3070024370223735930109790049793/Screenshot-2026-08-06-at-13.32.00.png Lo Hoi-ying, ‘Is the Boys’ Love genre paving the way for LGBTQ acceptance in Asia and beyond? Fans welcome recognition, but critics push for creative controls,’ South Morning China Post, 29 Dec 2023, <a href="https://www.scmp.com/news/hong-kong/society/article/3246516/boys-love-genre-paving-way-lgbtq-acceptance-asia-and-beyond-fans-welcome-recognition-critics-push" target="_blank">https://www.scmp.com/news/hong-kong/society/article/3246516/boys-love-genre-paving-way-lgbtq-acceptance-asia-and-beyond-fans-welcome-recognition-critics-push</a> Photo courtesy of South China Morning Post https://dough-studio.net/cv-1 2026-08-07T13:33:13+00:00 always 0.5 https://dough-studio.net/footer 2026-08-06T06:18:36+00:00 always 0.5